Logo
DiS Needs You: Save our site »
  • Logo_home2
  • Records
  • In Depth
  • In Photos
  • Blog
  • Podcast
  • Search
  • Community
  • Records
  • In Depth
  • Blog
  • Community

THIS SITE HAS BEEN ARCHIVED AND CLOSED.

Please join the conversation over on our new forums »

If you really want to read this, try using The Internet Archive.

Fanfarlo

Reservoir

Label: Release Date: 25/05/2009

49322
spawk by Alexander Tudor June 3rd, 2009

Any big Ed Harcourt fans out there? Anyone perturbed that Ed seemed to get it devastatingly, straightforwardly RIGHT with his “indie” album, Strangers shortly before deciding no-one was listening, and pretending to retire…?

Fanfarlo are similar fare, and that’s a perfectly fine thing to be. The band make pretty, guitar and organ-led indie, with discreet swirls, parps, and trills of brass and strings. In places, they bring out the wistful brass, singing saw, and woodwinds (e.g. at the coda to ‘Luna’ (track 3), or the intro to ‘Comets’ (track 4) which are two of the best moments here), but mostly adhere to well-constructed indie, such as ‘Ghosts’ (track 2), which has a ‘Lust for Life’ kick to it. That’s not to say they’re an inferior copy, just that Harcourt sometimes tried too hard to be a British balladeer in the mould of Tom Waits, and whilst Fanfarlo’s singer has an uncannily similar crown & drawl, the band pull him towards ensemble-playing, and anthemic writing.

Hmm. All these algebraic comparisons are an odd thing (X = Y minus Weirdness); fact is, though, as a mainstream music-consumer you might like this as much, if not more than Snow Patrol (who Fanfarlo have supported), even while you can say – quite objectively – that the arrangements lack the melodic surprises of Belle & Sebastian, or the epiphanous crescendos of Arcade Fire. For their arrangements, instrumentation, and dynamics, My Latest Novel could be Fanfarlo’s Scottish cousins, but Fanfarlo’s singer’s tone is that shade more attractive… or younger, more seductive. Your call.

You might have guessed by now that there’s not a huge amount to say about the lyrics. ‘Good Morning Midnight’ (track 11) takes its title from tragic drunk Jean Rhys, but the borrowing is just a prop, which makes me think someone needs to invent a journalistic catchphrase that can be thrown about like Shakespeare’s “All Sound and Fury, Signifying Nothing” – perhaps “All Slogans and Sighing, Signifying Nothing”? Consider these lines, from the album’s centrepiece: “the walls / the walls are coming down / the here and now is coming down / won’t someone let me down // the ships / the ships are coming in / the great ideas are wearing thin / and there is nothing left to do”. Oasis, it ain’t, but it falls short of making you want to buy their T-shirts and badges.

Hohum. I like this. It’s cheery. Who needs profundity, when you’ve got summer?

  • 7
    Alexander Tudor's Score
Log-in to rate this record out of 10
Share on
   
Love DiS? Become a Patron of the site here »


LATEST


  • Why Music Journalism Matters in 2024


  • Drowned in Sound is back!


  • Drowned in Sound's 21 Favourite Albums of the Year: 2020


  • Drowned in Sound to return as a weekly newsletter


  • Lykke Li's Sadness Is A Blessing


  • Glastonbury 2019 preview playlist + ten alternative must sees



Left-arrow

Future Of The Left at ULU, Camden Town, Tue 26 May

Mobback
49234
51013

Magnolia Electric Co.

Josephine

Mobforward
Right-arrow


LATEST

    news


    Why Music Journalism Matters in 2024

  • 106145
  • news


    Drowned in Sound is back!

  • 106143

    news


    Drowned in Sound's 21 Favourite Albums of the Y...

  • 106141
  • news


    Drowned in Sound to return as a weekly newsletter

  • 106139

    Playlist


    Lykke Li's Sadness Is A Blessing

  • 106138
  • Festival Preview


    Glastonbury 2019 preview playlist + ten alterna...

  • 106137

    Interview


    A Different Kind Of Weird: dEUS on The Ideal Crash

  • 106136
  • Festival Review


    Way Out East: DiS Does Sharpe Festival 2019

  • 106135
MORE


    news


    The Neptune Music Prize 2016 - Vote Now

  • 103918
  • Takeover


    The Winner Takes It All

  • 50972

    Takeover


    10 Things To Not Expect Your Record Producer To...

  • 93724
  • review


    The Mars Volta - Deloused In The Comatorium

  • 4317

    review


    Sonic Youth - Nurse

  • 6044
  • feature


    New Emo Goth Danger? My Chemical Romance confro...

  • 89578

    feature


    DiS meets Justice

  • 27270
  • news


    Our Independent music filled alternative to New...

  • 104374
MORE

Drowned in Sound
  • DROWNED IN SOUND
  • HOME
  • SITE MAP
  • NEWS
  • IN DEPTH
  • IN PHOTOS
  • RECORDS
  • RECOMMENDED RECORDS
  • ALBUMS OF THE YEAR
  • FESTIVAL COVERAGE
  • COMMUNITY
  • MUSIC FORUM
  • SOCIAL BOARD
  • REPORT ERRORS
  • CONTACT US
  • JOIN OUR MAILING LIST
  • FOLLOW DiS
  • GOOGLE+
  • FACEBOOK
  • TWITTER
  • SHUFFLER
  • TUMBLR
  • YOUTUBE
  • RSS FEED
  • RSS EMAIL SUBSCRIBE
  • MISC
  • TERM OF USE
  • PRIVACY
  • ADVERTISING
  • OUR WIKIPEDIA
© 2000-2025 DROWNED IN SOUND