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Boards User Profiles

Articles

LukeBeardsworth has written the following articles:

101657

Guy Garvey - Courting the Squall

Review by Luke Beardsworth

This is the best album Garvey has worked on since The Seldom Seen Kid»

101573

The Twilight Sad - Òran Mór Session

Review by Luke Beardsworth

An excuse to revisit an album if you already love»

101539

DiS meets Frank Turner: "I try not to wander through life with an extremely high opinion of myself"

In Depth by Luke Beardsworth

Since his emergence with 2013's Tape Deck Heart, Frank Turner has been essentially two very different versions of himself...»

101498

Evil Blizzard - Everybody Come to Church

Review by Luke Beardsworth

It doesn’t take itself too seriously»

101444

The Dead Weather - Dodge and Burn

Review by Luke Beardsworth

the best Dead Weather record to date as well as standing up very well next to any of the work White has ever created»

101203

Duran Duran - Paper Gods

Review by Luke Beardsworth

They’ve not quite spunked all their creativity up the wall»

100968

V Festival 2015: the DiS review

In Depth by Luke Beardsworth

Oh V Festival. What a truly unfortunate reputation you seem to have.»

100768

The Fratellis - Eyes Wide, Tongue Tied

Review by Luke Beardsworth

The bright moments on this album will probably go sadly unrecognised due to the beige that surrounds them»

100760

Kendal Calling 2015: the DiS review

In Depth by Luke Beardsworth

Another special year at Kendal Calling»

100727

Don Broco - Automatic

Review by Luke Beardsworth

Automatic feels like a step back for a band that was never making huge leaps to begin with.»

100683

Six things we can't wait to do at Kendal Calling's tenth anniversary

In Depth by Luke Beardsworth

Kendal Calling doesn’t attract the coverage that goes the way of the other boutique festivals»

100658

Ducktails - St Catherine

Review by Luke Beardsworth

This is comfortably the best effort from Matt Mondanile to date»

100656

NOS Alive 2015: the DiS review

In Depth by Luke Beardsworth

Still brilliant in all the ways it has always been»

100627

Lee Bannon - Pattern of Excel

Review by Luke Beardsworth

Depends on your determination to reward the very obvious talent and creativity of Lee Bannon with your time»

99680

Roisin Murphy - Hairless Toys

Review by Luke Beardsworth

An album to obsess over on sleepless nights.»

99123

To Kill a King - To Kill a King

Review by Luke Beardsworth

This band will not change your life.»

98852

Rae Morris - Unguarded

Review by Luke Beardsworth

The wait for Unguarded has been worth it.»

98801

Enter Shikari - The Mindsweep

Review by Luke Beardsworth

The Mindsweep is Enter Shikari at their most inspirational and consistent and as a result, their best record yet.»

98145

Kate Tempest - Everybody Down

Review by Luke Beardsworth

Maybe Tempest needs to be more focused on one particular path to keep her from being a jack-of-all-trades but master-of-only-some.»

97245

DiS does Kendal Calling 2014

In Depth by Luke Beardsworth

Nestled in the Lake District, Kendal Calling is one of the most gorgeous festivals in what is a flooded market.»

95116

Dan Wilson - Love Without Fear

Review by Luke Beardsworth

Love Without Fear doesn’t bring anything new to the table and indeed, doesn’t even try to.»

95094

DiS meets Simon Felice: "I’m just walking the paths of my heroes really"

In Depth by Luke Beardsworth

It’s been a long journey for Simone Felice to get to the point of releasing Strangers, his second solo album...»

94918

Foster the People - Supermodel

Review by Luke Beardsworth

Foster the People have created a dark, introspective, yet thoroughly catchy record that proves they deserve the success that they’ve created for themselves with ‘Pumped Up Kicks’.»

94785

Metronomy - Love Letters

Review by Luke Beardsworth

There’s a nagging feeling that those derivative misses aren't so much accidental misfires as born out of a writer keen to remain free of the pressures of success.»

94560

Milagres - Violent Light

Review by Luke Beardsworth

An album which is always solid but rarely spectacular.»

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