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Boards User Profiles

Articles

fireonthe_skin has written the following articles:

99763

King Gizzard & The Lizard Wizard - Quarters

Review by Haydon Spenceley

They’ve got the vibe, and they’ve got the geometric gimmickry, but what of the actual songs?»

99722

Ex Cops - Daggers

Review by Haydon Spenceley

An altogether surprising record»

99649

We Are The Ocean - Ark

Review by Haydon Spenceley

The band’s press release makes repeated references to Led Zeppelin. Perhaps this is the kind of album that seminal band would make if they were releasing today. I can’t pay it a higher compliment than that.»

99616

Rose Windows - Rose Windows

Review by Haydon Spenceley

Rose Windows gives a sense of what might have been.»

99577

Mew - +-

Review by Haydon Spenceley

It’s not a return to form. They never lost it»

99573

We are the City - Violent

Review by Haydon Spenceley

One of 2015’s better art-pop debut albums.»

99521

Lower Dens - Escape from Evil

Review by Haydon Spenceley

This is a bona fide pop album»

99423

White Hills - Walks for Motorists

Review by Haydon Spenceley

There are moments, more than a few of them on Walks for Motorists where the alchemy is programmed just perfectly and something happens.»

99398

Mini Mansions - The Great Pretenders

Review by Haydon Spenceley

Feels like the birth of a truly important new act.»

99343

Follakzoid - III

Review by Haydon Spenceley

For you if you’re seeking a suite of songs to immerse, and ultimately to lose yourself in.»

99339

The Staves - If I Was

Review by Haydon Spenceley

Bon Iver and The Staves are a perfect combination»

99289

Portico - Living Fields

Review by Haydon Spenceley

The quartet is dead. Long live Portico.»

99268

The Lone Bellow - Then Came the Morning

Review by Haydon Spenceley

Even if you hate country, this is downright good music.»

99206

Cold War Kids - Hold My Home

Review by Haydon Spenceley

Cold War Kids are a band in control of their destiny.»

99091

Ghostpoet - Shedding Skin

Review by Haydon Spenceley

The full power and diversity of the live Ghostpoet experience is expanded and explored to the full»

98977

Black Rivers - Black Rivers

Review by Haydon Spenceley

This is a fine debut album.»

98913

Jib Kidder - Teaspoon to the Ocean

Review by Haydon Spenceley

Sean Schuster-Craig has realised a vision, whether we get it or not. It’s for us to get on his wavelength.»

98876

Aqualung - 10 Futures

Review by Haydon Spenceley

In one fell swoop, Matt Hales has shown that it is possible to have fun making an album. He has also shown that he, to put it crassly, is better at music than most other people.»

98771

Francisco the Man - Loose Ends

Review by Haydon Spenceley

Here is a band arriving with a fully-formed artistic statement.»

98479

Gravenhurst - Flashlight Seasons/Black Holes in the Sand/Offerings

Review by Haydon Spenceley

An ideal opportunity to experience something truly special.»

98301

Ormonde - Cartographer/Explorer

Review by Haydon Spenceley

One of 2014’s late contenders for album of the year»

98276

Laura Moody - Acrobats

Review by Haydon Spenceley

How about that then, a seven-song album of cello and vocal driven folk pop songs turns out to be amazing. Who’d have thought it?»

98144

Meatbodies - Meatbodies

Review by Haydon Spenceley

A debut album to surprise and delight.»

98140

Bear's Den - Islands

Review by Haydon Spenceley

A wholly satisfying, multi-layered folk-pop record which exhibits considerable promise.»

97958

We Were Promised Jet Packs - Unravelling

Review by Haydon Spenceley

Unravelling feels both like a menacing post-rock effort and an accessible collection of hook-laden songs.»

97877

Marmozets - The Weird and Wonderful Marmozets

Review by Haydon Spenceley

If this is the kind of pop music we’re going to be stuck with for the next few months I’m all for it.»

97726

Goat - Commune

Review by Haydon Spenceley

The visceral power of Goat is inescapable.»

97248

Imogen Heap - Sparks

Review by Haydon Spenceley

There really isn’t a contemporary pop songwriter like her, and the music scene is all the better for her continued growth and unwillingness to conform to expected standards.»

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